{"id":357,"date":"2014-04-10T14:35:10","date_gmt":"2014-04-10T12:35:10","guid":{"rendered":"http:\/\/agatakus.pl\/?p=357"},"modified":"2015-11-22T14:37:49","modified_gmt":"2015-11-22T13:37:49","slug":"kino-lab-csw-wro-on-tour","status":"publish","type":"post","link":"https:\/\/agatakus.pl\/?p=357","title":{"rendered":"KINO LAB, CSW, WRO on Tour"},"content":{"rendered":"<h2><b>WRO ON TOUR W KINO LAB CSW ZAMEK UJAZDOWSKI W WARSZAWIE\/<\/b>WRO PIONEERING VALUES ON TOUR &#8211; IS COMING SOON TO WARSAW.APRIL 10TH, 19.30 @\u00a0<a href=\"https:\/\/www.facebook.com\/kino.lab.csw\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=111567555570894&amp;extragetparams=%7B%22directed_target_id%22%3A0%7D\">KINO LAB<\/a>\u00a0CAC UJAZDOWSKI CASTLE<\/h2>\n<p><a href=\"http:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/kino.lab_.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-360\" src=\"https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/kino.lab_.png\" alt=\"kino.lab\" width=\"299\" height=\"60\" \/><\/a><\/p>\n<div><\/div>\n<div class=\"separator\"><\/div>\n<div class=\"separator\"><b>WRO 2013 ON TOUR<\/b><\/div>\n<div><strong>WRO 2013 PIONEERING VALUES ON TOUR<\/strong>\u00a0TO PRZEKROJOWY ZESTAW PRAC I DOKUMENTACJI Z PROGRAMU\u00a0<strong>BIENNALE WRO<\/strong>\u00a0WYBRANY I PREZENTOWANY W KINIELAB PRZEZ DYREKTORA ARTYSTYCZNEGO BIENNALE, PIOTRA KRAJEWSKIEGO.<\/p>\n<p><strong>WRO 2013<\/strong>\u00a0BY\u0141O POD WIELOMA WZGL\u0118DAMI NAJWI\u0118KSZ\u0104 Z DOTYCHCZASOWYCH EDYCJI BIENNALE, STAWIAJ\u0104CEGO SOBIE ZA CEL UKAZANIE SZTUKI MEDI\u00d3W JAKO INTEGRALNEJ CZ\u0118\u015a\u0106 SZTUKI WSP\u00d3\u0141CZESNEJ. WYDARZENIA I WYSTAWY, PO\u0141\u0104CZONE W 2013 ROKU HAS\u0141EM\u00a0<strong>PIONEERING VALUES<\/strong>, PRZYGOTOWANO Z OKAZJI 50-LECIA SZTUKI ELEKTRONICZNEJ. PROBLEMATYZOWA\u0141Y ONE WP\u0141YW PRAKTYK TW\u00d3RCZYCH MAJ\u0104CYCH SW\u00d3J RODOW\u00d3D W EKSPERYMENTACH SZTUKI ELEKTRONICZNEJ LAT 60. NA KSZTA\u0141T WSP\u00d3\u0141CZESNEGO PEJZA\u017bU ARTYSTYCZNEGO ORAZ PREZENTOWA\u0141Y PRZYK\u0141ADY NAJNOWSZYCH, ZREALIZOWANYCH W CI\u0104GU OSTATNICH DW\u00d3CH LAT PROJEKT\u00d3W ARTYSTYCZNYCH WYKORZYSTUJ\u0104CYCH WSP\u00d3\u0141CZESNE NARZ\u0118DZIA KOMUNIKACJI.<\/p>\n<p>DZI\u0118KI RETROSPEKTYWNEMU CHARAKTEROWI\u00a0<strong>15. BIENNALE SZTUKI MEDI\u00d3W WRO<\/strong>ZESTAWY\u00a0<strong>WRO PIONEERING VALUES ON TOUR<\/strong>\u00a0OBEJMUJ\u0104 KLASYCZNE JU\u017b REALIZACJE WYBITNYCH PIONIER\u00d3W SZTUKI MEDI\u00d3W, WYJ\u0104TKOWE DZIE\u0141A Z PROGRAM\u00d3W KURATORSKICH ORAZ NAJNOWSZE I NAJCIEKAWSZE PRACE WYBRANE SPO\u015aR\u00d3D NADES\u0141ANYCH NA IMPREZ\u0118 ZG\u0141OSZE\u0143. NA TEMATYCZN\u0104 I FORMALN\u0104 R\u00d3\u017bNORODNO\u015a\u0106 PRZYGOTOWANEGO PROGRAMU Z\u0141O\u017bY\u0141Y SI\u0118 PRACE POSTWIDEO-ARTOWE, WYRAFINOWANE EKRANOWE KOMPOZYCJE WIZUALNE, FORMY EKSPERYMENTALNE, REJESTRACJE MULTIMEDIALNYCH PERFORMANS\u00d3W I INTERAKTYWNYCH INSTALACJI ORAZ PROJEKTY SKUPIONE WOK\u00d3\u0141 NOWYCH FORM KOMUNIKACJI KULTUROWEJ.<\/p>\n<p>PROGRAM:<\/p>\n<p><strong>NATALIA LL<\/strong>\u00a0\u2013 IMPRESJE, 1973, PL<br \/>\n<strong>JUSTYNA MISIUK<\/strong>\u00a0\u2013 RGB LOOKBOOK, 2013, PL<br \/>\n<strong>VALIE EXPORT<\/strong>\u00a0\u2013 BODY TAPE, 1970, AT<br \/>\n<strong>YAIMA CARRAZANA<\/strong>\u00a0\u2013 JASPER JONES FROM NAIL POLISH TUTORIALS, 2011, CU<br \/>\n<strong>CAROLEE SCHNEEMANN<\/strong>\u00a0\u2013 BODY COLLAGE, 1967, USA<br \/>\n<strong>AGATA KUS<\/strong>\u00a0\u2013 MATKA, 2012, PL<br \/>\n<strong>SARA AMIDO<\/strong>\u00a0\u2013 A LOT OF THINGS, 2012, PT<br \/>\n<strong>\u0141UKASZ PRUS-NIEWIADOMSKI<\/strong>\u00a0\u2013 TANIEC BEZWARUNKOWY, 2012, PL<br \/>\n<strong>JULIA KUREK<\/strong>\u00a0\u2013 BARBIE\u2019S AMERICAN DREAM, 2012, PL<br \/>\n<strong>SKIP BLUMBERG<\/strong>\u00a0\u2013 FLYING MORNING GLORY (ON FIRE), 1985, USA<br \/>\n<strong>RABIH MROU\u00c9<\/strong>\u00a0\u2013 THE PIXELATED REVOLUTION. NON-ACADEMIC. LECTURE, 2012, LB (FRAGMENT)<br \/>\n<strong>ANTONI PINENT<\/strong>\u00a0\u2013 G\/R\/E\/A\/S\/E, 2013, ES (FRAGMENT)<br \/>\n<strong>MIHAI GRECU<\/strong>, THIBAULT GLEIZE \u2013 GLUCOSE, 2012, RO\/FR<br \/>\n<strong>ZAPRUDER \u2013 NADIA RANOCCHI, DAVID ZAMAGNI<\/strong>\u00a0\u2013 THE RATS LEAVE THE SHIP, 2012, IT (FRAGMENT)<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><a href=\"http:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/1451523_556846257725385_105678788_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-358 size-full\" src=\"https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/1451523_556846257725385_105678788_n.jpg\" alt=\"1451523_556846257725385_105678788_n\" width=\"320\" height=\"240\" srcset=\"https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/1451523_556846257725385_105678788_n.jpg 320w, https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/1451523_556846257725385_105678788_n-300x225.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/a> <a href=\"http:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/images.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-359\" src=\"https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/images.jpg\" alt=\"images\" width=\"180\" height=\"181\" srcset=\"https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/images.jpg 180w, https:\/\/agatakus.pl\/wp-content\/uploads\/2015\/11\/images-150x150.jpg 150w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>WRO ON TOUR W KINO LAB CSW ZAMEK UJAZDOWSKI W WARSZAWIE\/WRO PIONEERING VALUES ON TOUR &#8211;&hellip;<\/p>\n","protected":false},"author":1,"featured_media":359,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,8],"tags":[],"class_list":["post-357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news"],"_links":{"self":[{"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/posts\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agatakus.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=357"}],"version-history":[{"count":1,"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/posts\/357\/revisions"}],"predecessor-version":[{"id":361,"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/posts\/357\/revisions\/361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agatakus.pl\/index.php?rest_route=\/wp\/v2\/media\/359"}],"wp:attachment":[{"href":"https:\/\/agatakus.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agatakus.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agatakus.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}